Upcoming Publications
Poetry Northwest (2023), Ninth Letter (2023), Tahoma Literary Review, (Summer/Fall, 2023), RHINO (2023), Blue Mountain Review (2023)
Select Readings & Interviews
The Slowdown: Episode 870–Hymn to Church Basements
Emily Dickinson Museum Phosphorescence Series (with Eugenia Leigh & Jessica Cuello)
Select Published Work
(Asian American Writers Workshop–The Margins) Tornado Season
(Pleaides) Review of Su Cho’s Symmetry of Fish
(Rattle) Armistice
(Chestnut Review) Last Communion (Best of the Net Nomination)
(Dialogist) Cloister
(Night Heron Barks) The Worst Thing
(The Rupture) Glass Menagerie
(Honey Literary) Eating Fire (Best of the Net Nomination)
(Diode) Two Poems
(Lantern Review) How We Fly
(Underwater Railroad) Seoul Station to Daegu, 2001
(Rust & Moth) Gold
(Rust & Moth) What We Don’t Say (Best of the Net Nomination)
(Kissing Dynamite: Feature Poet) Pantoum for my Father (Featured on Frontier’s Exceptional Poetry, March 2021) (Best of Net Nomination)
(Mom Egg Review) I Ask the Pearl Diver to Bring You Back From the Dead (Best of Net Nomination)
(Cross & Crow Keys) Locked Door/Open Door
(Porcupine Literary) Safe & Bomb
(Poets Reading the News) Owl in the City
(Rough Cut Press) Saved
(Rogue Agent) Clean (Pushcart Prize Nomination)
(West Trestle) Chuseok (Pushcart Prize Nomination)
(Sublunary Review) Michigan Winter, 1983
(Rattle) Attending a 12-Step Meeting After Learning That Rust Has Grown on the Moon (Best of Net Nomination)
(Dying Dahlia Review) Cartouche (Pushcart Prize Nomination)
(Easy Street) The Planet, the Star, & the Darkness
(The Fem) 10 Alternate Names for the Dead Addict
(TRIVIA: Voices of Feminism) Bathing Scene From Marguerite Duras’ “The Lover”
(Literary Mama) The Way We Were
(Right Hand Pointing) What Remains
Joan Kwon Glass, Poet 